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		<title>Goodnight, sweet prince&#8230;</title>
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		<pubDate>Sun, 15 Jan 2012 22:35:44 +0000</pubDate>
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				<category><![CDATA[Παλιά μουσική]]></category>

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		<description><![CDATA[Gustav Leonhardt: 30 Μαΐου 1928 – 16 Ιανουαρίου 2012 Filed under: Παλιά μουσική<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=panadam.wordpress.com&amp;blog=3593407&amp;post=1145&amp;subd=panadam&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>&#8220;Η θάλασσα είναι γεμάτη νερό. Είναι αδιανόητο.&#8221;</title>
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				<category><![CDATA[Διάφορα]]></category>
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		<description><![CDATA[[ Σχέδιο για προτομή του κ. Ερίκ ΣΑΤΙ (ζωγραφισμένο από τον ίδιο), μαζί με μια σκέψη: "ήρθα στον κόσμο πολύ νέος σε μια εποχή πολύ γερασμένη." ] s Πρόσφατα ο πιανίστας Τίτος Γουβέλης τόλμησε ένα ιδιότυπο εγχείρημα, ενδιαφέρον και αξιοθαύμαστο ως διερεύνηση σωματικών και ψυχικών ορίων: να παίξει το Vexations του Erik Satie επί δεκαπέντε [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=panadam.wordpress.com&amp;blog=3593407&amp;post=1035&amp;subd=panadam&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<title>Ένας υποτιθέμενος ιδανικός ερμηνευτής του Bach</title>
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		<pubDate>Mon, 22 Feb 2010 14:14:28 +0000</pubDate>
		<dc:creator>Panos</dc:creator>
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		<category><![CDATA[Glenn Gould]]></category>
		<category><![CDATA[Interpretation]]></category>
		<category><![CDATA[Well-tempered Clavier]]></category>

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		<item>
		<title>Αναγεννησιακά και μπαρόκ νυκτά 1</title>
		<link>http://panadam.wordpress.com/2009/02/03/renbarplucked1/</link>
		<comments>http://panadam.wordpress.com/2009/02/03/renbarplucked1/#comments</comments>
		<pubDate>Tue, 03 Feb 2009 08:14:41 +0000</pubDate>
		<dc:creator>Panos</dc:creator>
				<category><![CDATA[Κιθάρα]]></category>
		<category><![CDATA[Παλιά μουσική]]></category>
		<category><![CDATA[Early music]]></category>
		<category><![CDATA[Guitar]]></category>
		<category><![CDATA[Plucked instruments]]></category>
		<category><![CDATA[Tunings]]></category>
		<category><![CDATA[Vihuela]]></category>

		<guid isPermaLink="false">http://panadam.wordpress.com/?p=584</guid>
		<description><![CDATA[(1: Κιθαροειδή) Βιχουέλα Vihuela [1. Karl-Erik Gummesson] Εξάχορδη: Κούρδισμα όμοιο με του αναγεννησιακού λαούτου. Όλες οι χορδές διπλές σε ταυτοφωνία. [2. Joel van Lennep] Αναγεννησιακή κιθάρα [3. ?, από σχέδιο του 1551] Τετράχορδη. Θεωρητικά με τις τέσσερις μεσαίες χορδές μιάς βιχουέλας ή ενός αναγεννησιακού εξάχορδου λαούτου, στην πράξη κούρδισμα ψηλότερο (ή με την 4η χορδή [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=panadam.wordpress.com&amp;blog=3593407&amp;post=584&amp;subd=panadam&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<item>
		<title>Αναγεννησιακά και μπαρόκ νυκτά 2</title>
		<link>http://panadam.wordpress.com/2009/02/03/renbarplucked2/</link>
		<comments>http://panadam.wordpress.com/2009/02/03/renbarplucked2/#comments</comments>
		<pubDate>Tue, 03 Feb 2009 08:10:21 +0000</pubDate>
		<dc:creator>Panos</dc:creator>
				<category><![CDATA[Παλιά μουσική]]></category>
		<category><![CDATA[Bandora]]></category>
		<category><![CDATA[Colascione]]></category>
		<category><![CDATA[Early music]]></category>
		<category><![CDATA[Lute]]></category>
		<category><![CDATA[Orpharion]]></category>
		<category><![CDATA[Plucked instruments]]></category>
		<category><![CDATA[Tunings]]></category>

		<guid isPermaLink="false">http://panadam.wordpress.com/?p=701</guid>
		<description><![CDATA[(2: Λαουτοειδή με μονό κεφαλάρι) Αναγεννησιακό λαούτο Lute, Leut, Luth, Lauto, Leuto, Liuto, Laute [1. Lawrence K Brown, από Wendelio Venere] [2-4. David Van Edwards, από Laux Maler περ. 1530, από Georg Gerle περ. 1550, από Wendelio Venere 1582] Εξάχορδο (τα πρώιμα ήταν πεντάχορδα): Προς το τέλος του 16ου αιώνα προστέθηκε και έβδομη χορδή (ενίοτε [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=panadam.wordpress.com&amp;blog=3593407&amp;post=701&amp;subd=panadam&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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	</item>
		<item>
		<title>Αναγεννησιακά και μπαρόκ νυκτά 3</title>
		<link>http://panadam.wordpress.com/2009/02/03/renbarplucked3/</link>
		<comments>http://panadam.wordpress.com/2009/02/03/renbarplucked3/#comments</comments>
		<pubDate>Tue, 03 Feb 2009 08:05:42 +0000</pubDate>
		<dc:creator>Panos</dc:creator>
				<category><![CDATA[Παλιά μουσική]]></category>
		<category><![CDATA[Angelica]]></category>
		<category><![CDATA[Archlute]]></category>
		<category><![CDATA[Chitarrone]]></category>
		<category><![CDATA[Early music]]></category>
		<category><![CDATA[Lute]]></category>
		<category><![CDATA[Plucked instruments]]></category>
		<category><![CDATA[Theorbo]]></category>
		<category><![CDATA[Tunings]]></category>

		<guid isPermaLink="false">http://panadam.wordpress.com/?p=738</guid>
		<description><![CDATA[(3: Λαουτοειδή με διπλό κεφαλάρι) Αρχιλαούτο Archlute, Archiluth, Arciliuto, Erzlaute, Liuto [at]tiorbato, Luth théorbé, Theorbenlaute, Theorbierte Laute Δεκατριάχορδο. Κούρδισμα όπως το αναγεννησιακό λαούτο, με προσθήκη περισσοτέρων διατονικών μπάσων: 1η χορδή μονή (ή και διπλή), 2η έως 6η ή και 7η ή και 8η διπλές σε ταυτοφωνία. Οι υπόλοιπες μονές στην εκδοχή για κοντίνουο, διπλές σε [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=panadam.wordpress.com&amp;blog=3593407&amp;post=738&amp;subd=panadam&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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			<media:title type="html">bl-dn</media:title>
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		<item>
		<title>Τι είναι αντίστιξη (για μη μουσικούς)</title>
		<link>http://panadam.wordpress.com/2008/12/21/whatiscpfornonms/</link>
		<comments>http://panadam.wordpress.com/2008/12/21/whatiscpfornonms/#comments</comments>
		<pubDate>Sun, 21 Dec 2008 00:37:12 +0000</pubDate>
		<dc:creator>Panos</dc:creator>
				<category><![CDATA[Αντίστιξη]]></category>
		<category><![CDATA[Counterpoint]]></category>

		<guid isPermaLink="false">http://panadam.wordpress.com/?p=504</guid>
		<description><![CDATA[1. Όταν κάποιος τραγουδά ένα τραγούδι μόνος του, τότε μιλάμε για μονοφωνία. H έννοια της μίας φωνής είναι κυριολεκτική στην περίπτωση αυτή, αλλά έχει επεκταθεί σε οτιδήποτε είναι μία γραμμή (μεταφορικά), π.χ. αυτό που μπορεί να παίζει ένα σόλο φλάουτο. Ένα από τα βασικά χαρακτηριστικά της δυτικής μουσικής είναι ότι το μεγαλύτερο μέρος της δεν [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=panadam.wordpress.com&amp;blog=3593407&amp;post=504&amp;subd=panadam&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Σουίτες του Bach και τσαρλατάνοι</title>
		<link>http://panadam.wordpress.com/2008/11/21/bachvcsuitescharlatans/</link>
		<comments>http://panadam.wordpress.com/2008/11/21/bachvcsuitescharlatans/#comments</comments>
		<pubDate>Fri, 21 Nov 2008 05:38:04 +0000</pubDate>
		<dc:creator>Panos</dc:creator>
				<category><![CDATA[Bach]]></category>
		<category><![CDATA[Anna Magdalena]]></category>
		<category><![CDATA[Bach cello suites]]></category>
		<category><![CDATA[Bach violin works]]></category>
		<category><![CDATA[Jarvis]]></category>
		<category><![CDATA[Thoene]]></category>

		<guid isPermaLink="false">http://panadam.wordpress.com/?p=452</guid>
		<description><![CDATA[Όπως μου επισημάνθηκε σε πρόσφατο σχόλιο, εδώ και αρκετό καιρό κάποιος Martin Jarvis ισχυρίζεται ότι οι σουίτες για τσέλο του Bach δεν είναι συνθέσεις του ιδίου του Bach αλλά της γυναίκας του, της Άννας Μανταλένας. Φυσικά αυτός ο γελοίος ισχυρισμός έχει απασχολήσει περισσότερο τα ΜΜΕ παρά τη μουσικολογική κοινότητα. Διατηρώ μία επιφύλαξη για το ενδεχόμενο [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=panadam.wordpress.com&amp;blog=3593407&amp;post=452&amp;subd=panadam&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
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			<media:title type="html">Panos</media:title>
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			<media:title type="html">vc2am</media:title>
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			<media:title type="html">bachmsc105</media:title>
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			<media:title type="html">handelmsmessiah</media:title>
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			<media:title type="html">BachVnVcFP</media:title>
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		<item>
		<title>Τρεις βασικές θέσεις για την ερμηνεία της μπαρόκ μουσικής</title>
		<link>http://panadam.wordpress.com/2008/11/14/threetheses/</link>
		<comments>http://panadam.wordpress.com/2008/11/14/threetheses/#comments</comments>
		<pubDate>Fri, 14 Nov 2008 00:17:06 +0000</pubDate>
		<dc:creator>Panos</dc:creator>
				<category><![CDATA[Παλιά μουσική]]></category>
		<category><![CDATA[Early music]]></category>
		<category><![CDATA[Interpretation]]></category>

		<guid isPermaLink="false">http://panadam.wordpress.com/?p=439</guid>
		<description><![CDATA[Θέση 1 Όλα τα κομμάτια έχουν ατμόσφαιρα και χαρακτήρα • Mace 1676: «Tρία [...] πράγματα πρέπει να λαμβάνονται υπ&#8217; όψη σε όλες τις συνθέσεις: [...] η αρχική ιδέα, [...] η μορφή, [...] η διάθεση». «Πολλοί μοχθούν και κάνουν μεγάλη προσπάθεια να παίζουν τα κομμάτια τους πολύ τέλεια [κατ' αυτούς, αλλά όταν τους ακούς το ενδιαφέρον [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=panadam.wordpress.com&amp;blog=3593407&amp;post=439&amp;subd=panadam&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Panos</media:title>
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		<item>
		<title>Παρατηρήσεις για τα όργανα στη &#8220;Μουσική Προσφορά&#8221;</title>
		<link>http://panadam.wordpress.com/2008/10/08/musicalofferinstruments/</link>
		<comments>http://panadam.wordpress.com/2008/10/08/musicalofferinstruments/#comments</comments>
		<pubDate>Wed, 08 Oct 2008 14:39:02 +0000</pubDate>
		<dc:creator>Panos</dc:creator>
				<category><![CDATA[Bach]]></category>
		<category><![CDATA[Musical Offering]]></category>

		<guid isPermaLink="false">http://panadam.wordpress.com/?p=339</guid>
		<description><![CDATA[[Γεράσιμος Χοϊδάς:] Θα με ενδιέφεραν τα συμπεράσματά σου Παναγιώτη για το ποιο όργανο παίζει τι. Ξέρω, πολύπλοκο ερώτημα, αλλά ίσως έχεις κάποιες αποκρυσταλλωμένες απόψεις. Δέχεσαι τον ισχυρισμό του ΚΦΕ Μπαχ ότι καλό είναι να χρησιμοποιηθεί μόνο πληκτροφόρο όπου είναι δυνατόν στο έργο; Πιστεύεις πως έχει νόημα, αν χρησιμοποιηθεί τσέμπαλο, να παίζει κοντίνουο (με συγχορδίες) στην [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=panadam.wordpress.com&amp;blog=3593407&amp;post=339&amp;subd=panadam&amp;ref=&amp;feed=1" width="1" height="1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Panos</media:title>
		</media:content>

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			<media:title type="html">ca2v</media:title>
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